New insights into the changing human attitudes towards wild nature through the depiction of wolves in human culture and heritage. Few animals arouse such strong opinion as the wolf. It occupies a contested, ambiguous, yet central role in human culture and heritage. It appears as both an inspirational emblem of the wild and an embodiment of evil. Offering a mirror to different human attitudes, beliefs, and values, the wolf is, arguably, the species that plays the greatest role in shaping our views on what nature is or should be. North America and, more recently, Europe have witnessed a remarkable return of the grey wolf (Canis lupus, and its close relative the Eurasian wolf, Canis lupus lupus) to eco-systems. The essays collected here explore aspects of this recovery, and consider the history, literature and myth surrounding this iconic species. There are chapters on wolf taxonomy, including the coywolf, the red wolf, and the many faces of the dingo. We also meet the Tasmanian wolf and encounter Nazi Werewolves from Outer Space. The book explores the challenges of separating fact from fiction and superstition, and our willingness to co-exist with large carnivores in the twenty-first century. Biologists, historians, anthropologists, cultural theorists, conservationists and museologists will all find riches in the detail presented in this wolf collection.

As part of a national and international revolutionary strategy, terrorism has introduced into the struggle for power within and among nations a new mode of violence in terms of technology, victimization, threat, and response. It has also affected our present concepts and perceptions of self-determination. One of the principal questions addressed in

As part of a national and international revolutionary strategy, terrorism has introduced into the struggle for power within and among nations a new mode of violence in terms of technology, victimization, threat, and response. It has also affected our present concepts and perceptions of self-determination. One of the principal questions addressed in

"One of the first great events in Christian history was the Council of Nicaea in 325 AD, convened to organize Christian sects and beliefs into a unified doctrine. The great Christian clergymen who wrote before this famous event are referred to as the Ante-Nicenes and the Apostolic Fathers, and their writings are collected here in a ten-volume set. The Ante-Nicenes lived so close to the time of Christ that their interpretations of the New Testament are considered more authentic than modern voices. But they are also real and flawed men, who are more like their fellow Christians than they are like the Apostles, making their words echo in the ears of spiritual seekers. In Volume IV of the 10-volume collected works of the Ante-Nicenes first published between 1885 and 1896, readers will find the writings of: Tertullian, a Christian apologist and influential Latin Christian thinker Minucius Felix, known for his dialog Octavius Commodianus, a Latin poet who converted to Christianity Origen, a prolific writer and theologian."

This is the first book to dedicate scholarly attention to the work of Tarell Alvin McCraney, one of the most significant writers and theater-makers of the twenty-first century. Featuring essays, interviews, and commentaries by scholars and artists who span generations, geographies, and areas of interest, the volume examines McCraney's theatrical imagination, his singular writerly voice, his incisive cultural critiques, his stylistic and formal creativity, and his distinct personal and professional trajectories. Contributors consider McCraney's innovations as a playwright, adapter, director, performer, teacher, and collaborator, bringing fresh and diverse perspectives to their observations and analyses. In so doing, they expand and enrich the conversations on his much-celebrated and deeply resonant body of work, which includes the plays Choir Boy, Head of Passes, Ms. Blakk for President, The Breach, Wig Out!, and the critically acclaimed trilogy The Brother/Sister Plays: In the Red and Brown Water, The Brothers Size, and Marcus; Or the Secret of Sweet, as well as the Oscar Award-winning film Moonlight, which was based on his play In Moonlight Black Boys Look Blue.

Justin Martyr was one of the earliest contenders for the Christian faith. Like so many other Christians at the time, Justin suffered the ultimate punishment: death. Justin Martyr argued with philosophers, cynics, and skeptics wherever he found them. This included even the Roman Senate, the audience Justin had in mind for the two apologies (or, 'defenses') contained in this volume. Justin sought to set the record straight about what the Christians truly believed in the face of lies, slanders, and misunderstandings that were prevalent throughout the Roman Empire. Justin Martyr left an indelible mark on the history of the Christian Church and influences Christians to this very day.

"One of the first great events in Christian history was the Council of Nicaea in 325 AD, convened to organize Christian sects and beliefs into a unified doctrine. The great Christian clergymen who wrote before this famous event are referred to as the Ante-Nicenes and the Apostolic Fathers, and their writings are collected here in a ten-volume set. The Ante-Nicenes lived so close to the time of Christ that their interpretations of the New Testament are considered more authentic than modern voices. But they are also real and flawed men, who are more like their fellow Christians than they are like the Apostles, making their words echo in the ears of spiritual seekers. In Volume I of the 10-volume collected works of the Ante-Nicenes first published between 1885 and 1896, readers will find the writings of: Clement of Rome, the fourth pope, who was supposedly martyred by being tied to an anchor and tossed overboard Mathetes, an anonymous writer considered the first Christian apologist Polycarp, a Christian bishop who was stabbed to death after he failed to burn at the stake Ignatius, a student of John the Apostle, who was Bishop of Antioch before he was killed Barnabas, an anonymous writer given the name of Saint Barnabas Papias, author of Interpretations of the Sayings of the Lord, a textbook on quotes from Jesus Justin Martyr, a Christian apologist and accomplished philosopher, and Irenaeus, disciple of Polycarp, apologist, and bishop of Lugdunum."

"One of the first great events in Christian history was the Council of Nicaea in 325 AD, convened to organize Christian sects and beliefs into a unified doctrine. The great Christian clergymen who wrote before this famous event are referred to as the Ante-Nicenes and the Apostolic Fathers, and their writings are collected here in a ten-volume set. The Ante-Nicenes lived so close to the time of Christ that their interpretations of the New Testament are considered more authentic than modern voices. But they are also real and flawed men, who are more like their fellow Christians than they are like the Apostles, making their words echo in the ears of spiritual seekers. In Volume VII of the 10-volume collected works of the Ante-Nicenes first published between 1885 and 1896, readers will find the writings of Lactantius, Venantius, Asterius Urbanus, Victorinus, and Dionysius. This volume also contains writing unattributed to any author, but nonetheless considered of great value. These writings include: The Teaching of the Twelve Apostles, Constitutions of the Holy Apostles, The Second Epistle of Clement, The Nicene Creed, and Early Liturgies. "

"One of the first great events in Christian history was the Council of Nicaea in 325 AD, convened to organize Christian sects and beliefs into a unified doctrine. The great Christian clergymen who wrote before this famous event are referred to as the Ante-Nicenes and the Apostolic Fathers, and their writings are collected here in a ten-volume set. The Ante-Nicenes lived so close to the time of Christ that their interpretations of the New Testament are considered more authentic than modern voices. But they are also real and flawed men, who are more like their fellow Christians than they are like the Apostles, making their words echo in the ears of spiritual seekers. In Volume II of the 10-volume collected works of the Ante-Nicenes first published between 1885 and 1896, readers will find the writings of: the Pastor of Hermas, author of a popular book in the Ante-Nicene era Tatian, a second-century theologian Theophilus, a Christian convert and early apologist Athenagoras, a Christian convert and accomplished philosopher and Clement of Alexandria, who wrote Protrepticus, Paedagogus, and Stromata."

1872. Part Twenty-three of Twenty-four. The translations of the writings of the early Church writers from the time of Christ till the Council of Nicea in 325 into English, known as the Ante-Nicene Library. Contents of Volume Twenty-three: The Writings of Origen, Volume I, Book I and Volume II. Origen Contra Celsum, Books II-VIII, translated by Reverend Frederick Crombie. See other titles by this author available from Kessinger Publishing.

This is the first book to dedicate scholarly attention to the work of Tarell Alvin McCraney, one of the most significant writers and theater-makers of the twenty-first century. Featuring essays, interviews, and commentaries by scholars and artists who span generations, geographies, and areas of interest, the volume examines McCraney's theatrical imagination, his singular writerly voice, his incisive cultural critiques, his stylistic and formal creativity, and his distinct personal and professional trajectories. Contributors consider McCraney's innovations as a playwright, adapter, director, performer, teacher, and collaborator, bringing fresh and diverse perspectives to their observations and analyses. In so doing, they expand and enrich the conversations on his much-celebrated and deeply resonant body of work, which includes the plays Choir Boy, Head of Passes, Ms. Blakk for President, The Breach, Wig Out!, and the critically acclaimed trilogy The Brother/Sister Plays: In the Red and Brown Water, The Brothers Size, and Marcus; Or the Secret of Sweet, as well as the Oscar Award-winning film Moonlight, which was based on his play In Moonlight Black Boys Look Blue.